- BPM
- 139
- Key
- A Major
- Camelot
- 11B
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" - Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information
- Acousticness
- 96%
- Danceability
- 49%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 50%
- Popularity
- 6%
- Loudness
- -19.426 dB
Summary
Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 1: "Signor... Altezza, è in tavola"" was released on its scheduled release date, January 1, 1993. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 1: "Signor... Altezza, è in tavola"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" BPM
With La Cenerentola / Act 1: "Signor... Altezza, è in tavola" by Gioachino Rossini, Enzo Dara, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
La Cenerentola / Act 1: "Signor... Altezza, è in tavola" Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Pinkerton, Sharpless) | Giacomo Puccini, Jonas Kaufmann, Fabio Maria Capitanucci, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 2 | 3B | 77 BPM | |
 | Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | |
 | Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! | Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 98 BPM | |
 | Andrea Chenier: Act III: Mamma Cadet | Umberto Giordano, Renata Scotto, Sherrill Milnes, Enzo Dara, Stuart Harling, Malcolm King, James Levine | B Major | 3 | 1B | 142 BPM | |
 | Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | |
 | Il Barbiere di Siviglia: Di sì felice innesto | Gioachino Rossini, Cesare Sterbini, Giuseppe Valdengo, Hertha Glaz, Salvatore Baccaloni, Jerome Hines, Lily Pons, Giuseppe Di Stefano, Alberto Erede | C Major | 4 | 8B | 143 BPM | |
 | Otello, ossia Il moro di Venezia: Act III: Scene, Air, Duet and Finale III: Ah!… Dagli affanni oppressa (Desdemona, Emilia) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | D Major | 7 | 10B | 100 BPM | |
 | L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | |
 | La Cenerentola / Act 2: "Ma dunque io sono un ex" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | |
| Lucia di Lammermoor / Act 2: "T'allontana sciagurato" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Luciano Pavarotti, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 86 BPM |
- ISRC
- GBF079241725
- Label
- L-M Records/RCA Records