- BPM
- 139
- Key
- A Major
- Camelot
- 11B
La Cenerentola / Act 2: "Ma dunque io sono un ex" - Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information
- Acousticness
- 96%
- Danceability
- 49%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 50%
- Popularity
- 2%
- Loudness
- -19.426 dB
Summary
Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's ' "La Cenerentola / Act 2: "Ma dunque io sono un ex"" was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: "Ma dunque io sono un ex"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Cenerentola / Act 2: "Ma dunque io sono un ex" BPM
With La Cenerentola / Act 2: "Ma dunque io sono un ex" by Gioachino Rossini, Alessandro Corbelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
La Cenerentola / Act 2: "Ma dunque io sono un ex" Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | |
 | Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 115 BPM | |
 | La Sonnambula / Act 1: A fosco cielo, a notte bruna | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Orchestra La Scintilla, Alessandro De Marchi | E♭ Major | 2 | 5B | 96 BPM | |
 | La Gioconda, Op. 9 / Act 2: Cielo e mar | Amilcare Ponchielli, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 88 BPM | |
 | Dicitencello Vuie | Rodolfo Falvo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A♭ Major | 2 | 4B | 110 BPM | |
 | Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) | Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni | D♭ Major | 2 | 3B | 64 BPM | |
 | Werther / Act 1: "Je ne sais si je veille" | Jules Massenet, Andrea Bocelli, Orchestra del Teatro Comunale di Bologna, Yves Abel | G Major | 2 | 9B | 167 BPM | |
 | Serenata | Pietro Mascagni, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Minor | 2 | 6A | 86 BPM | |
 | Rigoletto / Act II: Ah! Solo per me l'infamia | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Anton Scharinger, Wiener Philharmoniker, Carlo Maria Giulini | D♭ Major | 1 | 3B | 95 BPM | |
 | Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" | Vincenzo Bellini, Cecilia Bartoli, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Minor | 3 | 3A | 98 BPM |
- ISRC
- GBF079241730
- Label
- L-M Records/RCA Records