"Rigoletto / Act II: Ah! Solo per me l'infamia" by Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Anton Scharinger, Wiener Philharmoniker, Carlo Maria Giulini was released on January 1, 1980. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #9 out of 34 tracks. In terms of popularity, Rigoletto / Act II: Ah! Solo per me l'infamia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act II: Ah! Solo per me l'infamia by Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Anton Scharinger, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Rigoletto / Act II: Ah! Solo per me l'infamia being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7: Lascia ch'io pianga | George Frideric Handel, Ileana Cotrubas, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | D Major | 4 | 10B | 80 BPM | ||
Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2 Scene 11: No. 22, Duetto, "O statua gentilissima" (Leporello, Don Giovanni, Commendatore) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | B Major | 2 | 1B | 138 BPM | ||
Macbeth / Act I: Due vaticini compiuti or sono | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | C Major | 8 | 8B | 180 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate...Mario, consenti ch'io parli?" | Giacomo Puccini, Giuseppe Taddei, Leontyne Price, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 98 BPM | ||
Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | Hector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | A Major | 2 | 11B | 83 BPM | ||
L'elisir d'amore / Act 2: "Quanto amore!" - "Una tenera occhiatina" | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, English Chamber Orchestra, Richard Bonynge | E Major | 2 | 12B | 104 BPM | ||
L 1. Akt / Act 1 | Wiener Philharmoniker | E Major | 1 | 12B | 67 BPM |
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