- BPM
- 115
- Key
- F Minor
- Camelot
- 4A
Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades - Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra Information
- Acousticness
- 96%
- Danceability
- 49%
- Energy
- 7%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 59%
- Speechiness
- 7%
- Valence
- 23%
- Popularity
- 16%
- Loudness
- -24.838 dB
Summary
Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's 'Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades' came out on 1964. The duration of Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. In terms of popularity, Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades BPM
The tempo marking of Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades by Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Carmen (1997 - Remaster), Act III: Reposons-nous une heure ici, mes camarades Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen (1997 - Remaster), Act I: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM | |
 | La traviata / Act 2: "Alfredo?" "Per Parigi or or partiva" | Giuseppe Verdi, Anna Netrebko, Diane Pilcher, Dritan Luca, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | F Minor | 0 | 4A | 83 BPM | |
 | Verdi: La traviata, Act 1: "Che e cio?" (Chorus, Violetta, Alfredo) | Giuseppe Verdi, Coro Cetra, Francesco Albanese, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 1 | 5B | 72 BPM | |
 | Il Barbiere di Siviglia, '(The) Barber of Seville' (2003 - Remaster), ACT 1: Una voce poco fa | Gioachino Rossini, Maria Callas, Nicola Rescigno | E Major | 1 | 12B | 130 BPM | |
 | Puccini: Tosca, Act 1 Scene 5: "Or lasciami al lavoro" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM | |
 | Puccini: Manon Lescaut, Act 4: "Sola, perduta, abbandonata" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B♭ Minor | 1 | 3A | 87 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Ah, che bella vita! (Figaro/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 2 | 9B | 86 BPM | |
| Il Barbiere di Siviglia (1996 Digital Remaster): Che cosa accadde, signori miei (Figaro/Bartolo/Conte/Rosina/Berta/Basilio/Coro/Uffiziale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 3 | 7B | 125 BPM | |
 | Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | |
| Carmen (1997 - Remaster), Act I: Que se passe-t-il donc là-bas?...Au secours! | Georges Bizet, Jacques Mars/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.722132682800293
End: 0.7362048625946045