"Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto)" by Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni was released on January 1, 1978. With this song being about 5 minutes long, at 4:50, "Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto)" by Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pietro Mascagni, Gianandrea Gavazzeni, Luciano Pavarotti, Julia Varady, Piero Cappuccilli, Ida Bormida, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra's "Mascagni: Cavalleria Rusticana" album is number 11 out of 16. Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Oh! Il Signore vi manda" (Duetto) by Pietro Mascagni, Julia Varady, Piero Cappuccilli, National Philharmonic Orchestra, Gianandrea Gavazzeni to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Il barbiere di Siviglia / Act 1: "Ecco, ridente in cielo" - "Ehi, Fiorello?" - "Gente indiscreta!" | Gioachino Rossini, Luigi Alva, Renato Cesari, Barna Kováts, Theodor Guschlbauer, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 2 | 9B | 136 BPM | ||
Die Fledermaus / Act 1: Nr.1a (Duettino): "Ach, ich darf nicht hin zu dir!" | Johann Strauss II, Lucia Popp, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Minor | 1 | 7A | 51 BPM | ||
Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 4 | 2B | 88 BPM |
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