"Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour"" by Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge was released on January 1, 1972. Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Offenbach: Les Contes d'Hoffmann - Highlights". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" by Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Trovatore / Act 2: "Mal reggendo all'aspro assalto" | Giuseppe Verdi, Luciano Pavarotti, Marilyn Horne, Wynford Evans, National Philharmonic Orchestra, Richard Bonynge | C Major | 3 | 8B | 85 BPM | ||
Giselle / Act 1: No. 8 Galop | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 96 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Les Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu! | Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji Ozawa | B♭ Major | 1 | 6B | 107 BPM | ||
Un ballo in maschera / Act 1: "S'avanza il Conte" | Giuseppe Verdi, Edita Gruberova, Plácido Domingo, Giovanni Foiani, Ruggero Raimondi, Renato Bruson, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A♭ Major | 2 | 4B | 106 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 86 BPM | ||
L'anima ho stanca... from Act II of Adriana Lecouvreur - Voice | Francesco Cilea, Plácido Domingo, James Levine, Philharmonia Orchestra | E Minor | 3 | 9A | 80 BPM |
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