"Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte)" by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri was released on 1996. With this song being about 5 minutes long, at 4:55, "Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte)" by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #3. Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Barbiere di Siviglia (1996 Digital Remaster): Ecco ridente in cielo (Conte) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Major | 3 | 8B | 178 BPM | ||
Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) | Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | E♭ Major | 3 | 5B | 111 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Les nuits d'été, Op.7: 1. Villanelle | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 129 BPM | ||
Otello, ossia Il moro di Venezia: Act I: Trio: Ti parli l'amore (Rodrigo, Elmiro, Desdemona, Otello, Lucio, Choir) | Gioachino Rossini, Michael Spyres, Jessica Pratt, Ugo Guagliardo, Filippo Adami, Giorgio Trucco, Geraldine Chauvet, Sean Spyres, Hugo Colin, Leonardo Cortellazzi, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Antonino Fogliani | B♭ Major | 3 | 6B | 90 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Tosca / Act 3: E non giungono | Giacomo Puccini, Katia Ricciarelli, José Carreras, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | E Minor | 0 | 9A | 168 BPM |
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