Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani made "Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro)" available on 1955. The duration of Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini: Madama Butterfly (1955 - Karajan) - Callas Remastered". In this album, this song's track order is #1. In terms of popularity, Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) by Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 1: Dans l'air, nous suivons des yeux la fumée | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 0 | 12B | 83 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Ponchielli: La Gioconda, Act 4: "Suicidio!" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 87 BPM | ||
Ponchielli: La Gioconda, Act 1: "E cantan su lor tombe!" (Barnaba, Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Piero Cappuccilli | E Minor | 1 | 9A | 89 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Dinorah, '(Le) pardon de Ploërmel' (1997 Digital Remaster): Ombre légère (Shadow Song) | Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 135 BPM |
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