"Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra"" by Vincenzo Bellini, Cecilia Bartoli, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini was released on January 1, 2013. The duration of Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 38 in Bellini: Norma by Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Michele Pertusi, Orchestra La Scintilla, Giovanni Antonini. In terms of popularity, Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Sediziose voci, voci di guerra" by Vincenzo Bellini, Cecilia Bartoli, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima...Eccola!" | Gaetano Donizetti, Giuseppe Di Stefano, Hilde Gueden, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | F Minor | 1 | 4A | 125 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Au fond du temple saint | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Florian Sempey, Les Cris De Paris | B♭ Major | 1 | 6B | 101 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM |
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