"Turandot / Act 3: Liù! Liù! Sorgi! Sorgi!" by Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. With this song being about 5 minutes long, at 4:41, "Turandot / Act 3: Liù! Liù! Sorgi! Sorgi!" by Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Liù! Liù! Sorgi! Sorgi! by Giacomo Puccini, Nicolai Ghiaurov, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Major | 5 | 12B | 105 BPM | ||
Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | ||
De Curtis / Arr. Mancini: Non ti scordar di me (Live) | Ernesto de Curtis, Luciano Pavarotti, Zubin Mehta, Los Angeles Philharmonic | A Major | 3 | 11B | 82 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Rigoletto - Si, Vendetta, Tremenda Vendetta | Piero Cappuccilli, Margherita Rinaldi | A♭ Major | 3 | 4B | 78 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… | Renata Scotto, Luciano Pavarotti | A♭ Major | 0 | 4B | 167 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM |
Section: 0.7441020011901855
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