Piero Cappuccilli, Margherita Rinaldi's 'Rigoletto - Si, Vendetta, Tremenda Vendetta' came out on January 1, 1991. The duration of Rigoletto - Si, Vendetta, Tremenda Vendetta is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Rigoletto - Si, Vendetta, Tremenda Vendetta's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rigoletto - Highlights". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Rigoletto - Si, Vendetta, Tremenda Vendetta is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rigoletto - Si, Vendetta, Tremenda Vendetta by Piero Cappuccilli, Margherita Rinaldi having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Leo Nucci, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | C Major | 1 | 8B | 97 BPM | ||
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered | Maria Callas | F Major | 3 | 7B | 86 BPM | ||
Simon Boccanegra / Act 3: Gran Dio, li benedici | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, José Carreras, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 2 | 4B | 89 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
L'elisir d'amore / Act I: "Lallarallara" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 90 BPM | ||
Verdi: Aida, Act 2: "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, Il Re, Aida, Schiave, Popolo, Ramfis, Sacerdoti, Prigionieri) | Giuseppe Verdi, Riccardo Muti | F Major | 5 | 7B | 67 BPM | ||
Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 2 | 6A | 107 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
"Piscatore 'e Pusilleco" | Ernesto Tagliaferri, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 2 | 7B | 90 BPM | ||
Brodszky / Arr Schifrin: Around the World Part 6: Be My Love | Nicholas Brodszky, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Minor | 3 | 7A | 84 BPM |
Section: 0.7200565338134766
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