"L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole" by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González was released on October 13, 2017. The duration of L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole is about 3 minutes long, at 3:15. Based on our data, "L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 20 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. In terms of popularity, L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Cologne New Philharmonic Orchestra, Volker Hartung | G Minor | 2 | 6A | 99 BPM | ||
Scènes bohémiennes la jolie fille de perth: Danse bohémienne | Georges Bizet, Orchestre Philharmonique des Pays de Loire, Marc Soustrot | B Minor | 1 | 10A | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
St. Paul's Suite Op. 29/2: Jig | Gustav Holst, Ross Pople | G Major | 1 | 9B | 74 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: III. Scherzo (Pizzicato ostinato - Allegro) | Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 156 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 8. Sardana (Asturiana) | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | F Major | 0 | 7B | 112 BPM |
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