"Capriccio espagnol, Op. 34: IV. Scena e canto gitano" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz was released on September 6, 2011. With this song being about 5 minutes long, at 5:05, "Capriccio espagnol, Op. 34: IV. Scena e canto gitano" by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rimsky-Korsakov: Capriccio espagnol". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. Capriccio espagnol, Op. 34: IV. Scena e canto gitano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio espagnol, Op. 34: IV. Scena e canto gitano by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: IV. Festival at Baghdad. The Sea. Ship Breaks upon a Cliff Surmounted by a Bronze Horseman | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 3 | 8B | 99 BPM | ||
Masquerade Suite: Maskarad (Masquerade): I. Waltz | St. Petersburg State Symphony Orchestra, Aram Khachaturian | C Major | 3 | 8B | 94 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | C Major | 1 | 8B | 79 BPM | ||
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
The Maid of Pskov / Act 2: Intermezzo - Voiti, al' net? | Nikolai Rimsky-Korsakov, Vladimir Ognovienko, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 1 | 5B | 111 BPM |
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