St. Petersburg State Symphony Orchestra, Aram Khachaturian's 'Masquerade Suite: Maskarad (Masquerade): I. Waltz' came out on May 17, 1995. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in St. Petersburg State Symphony Orchestra's "Great Waltzes" album is number 9 out of 11. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Masquerade Suite: Maskarad (Masquerade): I. Waltz is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Masquerade Suite: Maskarad (Masquerade): I. Waltz by St. Petersburg State Symphony Orchestra, Aram Khachaturian to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Don Quixote: Act I: Quiteria and Basilio | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | E Minor | 0 | 9A | 178 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
The Four Seasons, Violin Concerto No. 2 in G Minor, RV 315 "L'estate": III. Tempo impetuoso d'estate | Antonio Vivaldi, Europa Galante, Fabio Biondi | F♯ Major | 6 | 2B | 85 BPM | ||
Victor's Piano Solo | Danny Elfman | D♭ Minor | 0 | 12A | 142 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
A Little Birch Tree | Evgeny Dreizin, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | E♭ Minor | 2 | 2A | 65 BPM | ||
Sophie in Exile | Joe Hisaishi | G Minor | 2 | 6A | 102 BPM |
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