Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra made "Tsar Saltan, Op. 57: Flight of the Bumblebee" available on August 15, 1995. With Tsar Saltan, Op. 57: Flight of the Bumblebee being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 7 in the song's album "Rimsky-Korsakov: Scheherazade / Flight Of The Bumblebee". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Tsar Saltan, Op. 57: Flight of the Bumblebee is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Tsar Saltan, Op. 57: Flight of the Bumblebee by Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 139 BPM | ||
Marche Militaire | London Symphony Orchestra | E Minor | 0 | 9A | 118 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | E♭ Major | 3 | 5B | 99 BPM | ||
The Snow Maiden / Prologue: "Sbiralis ptitsi, sbiralis pyevchi" | Nikolai Rimsky-Korsakov, Bireska Tzveych, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
The Maid of Pskov / Act 2: Intermezzo - Voiti, al' net? | Nikolai Rimsky-Korsakov, Vladimir Ognovienko, Gennadi Bezzubenkov, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 1 | 5B | 111 BPM |
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