Giacomo Puccini, Erich Leinsdorf's 'Madama Butterfly (Remastered): Act II - Un bel dì' came out on 1963. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 34 in the song's album "Puccini: Madama Butterfly (Remastered)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Madama Butterfly (Remastered): Act II - Un bel dì is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Madama Butterfly (Remastered): Act II - Un bel dì by Giacomo Puccini, Erich Leinsdorf having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
Carmina Burana - 3. Cour d'amours: "In trutina" | Carl Orff, Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | D Major | 0 | 10B | 80 BPM | ||
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Quale smania vi prende! (Sharpless/Pinkerton/Coro/Goro) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Gianni Lazzari, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 67 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Giacomo Puccini, Joseph Calleja, L'Orchestre de la Suisse Romande, Marco Armiliato | A♭ Major | 3 | 4B | 78 BPM | ||
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Hungarian Dance No. 1 In G Minor, WoO 1 (Orchestrated By Johannes Brahms) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 4 | 6A | 78 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM |
Section: 0.7290725708007812
End: 0.733182430267334