"Carmina Burana - 3. Cour d'amours: "In trutina"" by Carl Orff, Lynne Dawson, San Francisco Symphony, Herbert Blomstedt was released on January 1, 1991. The duration of Carmina Burana - 3. Cour d'amours: "In trutina" is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Carmina Burana - 3. Cour d'amours: "In trutina"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. Carmina Burana - 3. Cour d'amours: "In trutina" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana - 3. Cour d'amours: "In trutina" by Carl Orff, Lynne Dawson, San Francisco Symphony, Herbert Blomstedt having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 115 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Villa-Lobos: Bachianas Brasileiras No. 5 : I. Aria (Adagio) | Heitor Villa-Lobos, Arleen Auger | F Major | 0 | 7B | 174 BPM | ||
Verdi: Otello, Act 4: "Ave Maria" (Desdemona) | Giuseppe Verdi, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Zwei A Capella-Chöre, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | G Major | 1 | 9B | 117 BPM | ||
Requiem, Op.48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, Gilles Cachemaille, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 0 | 10B | 80 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | D Major | 3 | 10B | 141 BPM | ||
Dixit Dominus, HWV 232: 5. Tu es sacerdos in aeternum | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 3 | 11B | 154 BPM |
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