Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale - Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler Information

Acousticness: 80%
Danceability: 24%
Energy: 42%
Instrumentalness: 92%
Liveness: 10%
Loudness: 80%
Speechiness: 5%
Valence: 5%
Popularity: 27%
Loudness: -11.803 dB

Summary

"Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler was released on March 18, 1989. With this song being about 5 minutes long, at 5:16, "Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale" by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Tchaikovsky: Swan Lake Highlights". In this album, this song's track order is #21. In terms of popularity, Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale BPM

With Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale by Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale Key

This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen Suite: VIII. Bolero (after G. Bizet): First Intermezzo	Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar	A Minor	1	8A	83 BPM
Waltz in A flat major, Op.39 No. 15	Johannes Brahms, Radio Symphony Orchestra	A Major	1	11B	89 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Major	3	10B	91 BPM
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls	Igor Stravinsky, Teodor Currentzis, musicAeterna	B♭ Major	3	6B	120 BPM
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets	Sergei Prokofiev, Nikolai Lugansky	F Major	0	7B	90 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
The Magic Flute, Overture, K620	Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields	C Minor	1	5A	85 BPM
Carmen L'amour est un oiseau rebelle - Instrumental Version	Arthur Fiedler, Boston Pops Orchestra	D Major	1	10B	98 BPM
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	1	6A	63 BPM
Concerto for 2 Pianos and Orchestra (No.10) in E flat, K.365: 3. Rondeau (Allegro)	Wolfgang Amadeus Mozart, Alfred Brendel, Imogen Cooper, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	2	5B	87 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.876410961151123

End: 0.8802011013031006