Igor Stravinsky, Teodor Currentzis, musicAeterna made "The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls" available on October 9, 2015. The duration of The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miroirs: IV. Alborada del gracioso | Maurice Ravel, André Laplante | D Major | 1 | 10B | 140 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
The Rite of Spring, Part 2: III .Glorification of the Chosen One | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D♭ Major | 6 | 3B | 137 BPM | ||
Romeo and Juliet Suite: Montagues and Capulets | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | A Minor | 1 | 8A | 94 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: I. Allegretto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra | A♭ Major | 2 | 4B | 117 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM |
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