"Walkürenritt (Ride of the Valkyries)" by Richard Wagner, Gustav Kuhn was released on March 1, 2019. With this song being about 5 minutes long, at 5:16, "Walkürenritt (Ride of the Valkyries)" by Richard Wagner, Gustav Kuhn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Walkürenritt (Ride of the Valkyries) only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Walkürenritt (Ride of the Valkyries) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Walkürenritt (Ride of the Valkyries) by Richard Wagner, Gustav Kuhn has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Walkürenritt (Ride of the Valkyries) being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El amor brujo: Ritual Fire Dance - Excerpt | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 1 | 8B | 142 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
String Quintet in E Major, G. 275: III. Menuetto | Luigi Boccherini, Orpheus Chamber Orchestra | A Major | 0 | 11B | 112 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Helene Schneiderman, Herman Wallen, Salvatore Cordella, Paul Gay, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus | B♭ Major | 2 | 6B | 116 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
Symphony No. 10 in E Minor, Op. 93: II. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | B♭ Minor | 6 | 3A | 89 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM |
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