"Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto" by Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi was released on September 29, 2023. Since Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "The Great Puccini". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto by Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jewish Children Songs, Op. 13: No. 4, Der Yeger | Mieczysław Weinberg, Vida Miknevičiūtė, Kremerata Baltica, Gidon Kremer | F Major | 0 | 7B | 120 BPM | ||
L'elisir d'amore / Act II: "Io son ricco e tu sei bella" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 117 BPM | ||
Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Mirella Freni, Sherrill Milnes, National Philharmonic Orchestra, Nicola Rescigno | F Minor | 1 | 4A | 166 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "A festeggiar le nozze illustri" (Normanno, Enrico) | Gaetano Donizetti, Tullio Serafin, Gino Sarri, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | D Major | 2 | 10B | 40 BPM | ||
Leoncavallo: Zingari: "Eccolo finalmente il sogno!" (Radu, Fleana, Chorus) | Ruggero Leoncavallo, Carlo Rizzi, Royal Philharmonic Orchestra | B♭ Major | 1 | 6B | 112 BPM | ||
L´Arlesiana: È la solita storia | Francesco Cilea, Jon Vickers, Orchestra Dell Opera Di Roma, Tullio Serafin | A Minor | 1 | 8A | 77 BPM | ||
A Child of our Time, Part I: I have no money for my bread (Tenor) | Michael Tippett, Joshua Stewart, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
La Bohème: Ahi! Qual dolore, qual bruciore! | Giacomo Puccini, Orchestra e Coro del teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli, Bianca Bellesia, Guido Pasella, Vito Mattioli, Alberta Pellegrini, Luciano Pavarotti, Walter De | G Major | 5 | 9B | 132 BPM | ||
La Bohème / Act 3: "Marcello. Finalmente!" - Live | Giacomo Puccini, Anna Netrebko, Rolando Villazón, Boaz Daniel, Bavarian Radio Symphony Orchestra, Bertrand de Billy | B♭ Major | 3 | 6B | 75 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM |
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