"La Wally: Ebben? Ne andrò lontana" by Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari was released on June 17, 1992. The duration of La Wally: Ebben? Ne andrò lontana is about 3 minutes long, at 3:29. Based on our data, "La Wally: Ebben? Ne andrò lontana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Soprano Arias From Italian Operas". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. La Wally: Ebben? Ne andrò lontana is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Wally: Ebben? Ne andrò lontana by Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
The Bell Song - From “Florence Foster Jenkins” Soundtrack | Aida Garifullina, London Metropolitan Orchestra, Terry Davies | B♭ Major | 2 | 6B | 81 BPM | ||
Piazzolla / Arr Cresens: Oblivion | Astor Piazzolla, Gwen Cresens, Diego Matheuz, Brussels Philharmonic | C Minor | 2 | 5A | 174 BPM | ||
Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Saper bramate (Count Almaviva, Rosina) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | B♭ Major | 1 | 6B | 103 BPM | ||
"Slavonic Dances" Dance No. 10 | Nederica Stepan | E Minor | 1 | 9A | 167 BPM | ||
Back to Utopia | Dirk Brossé, Brussels Philharmonic | A♭ Major | 2 | 4B | 140 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM |
Section: 0.9737176895141602
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