"Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen" by Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz was released on October 24, 1994. Since Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Michael Halasz's "Mahler, G.: Symphony No. 1, "Titan"" album is number 3 out of 5. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen by Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice (Orphée et Eurydice) - Arranged Sgambati: Dance of the Blessed Spirits (Mélodie) | Christoph Willibald Gluck, Jean-Yves Thibaudet | D♭ Minor | 0 | 12A | 128 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Lieutenant Kijé Suite, Op. 60: II. Romance | Sergei Prokofiev, Tugan Sokhiev | E Minor | 2 | 9A | 72 BPM | ||
Primavera portena | Astor Piazzolla, Gidon Kremer, Kremerata Baltica | G Minor | 2 | 6A | 147 BPM | ||
Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 72 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto | Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell | C Major | 0 | 8B | 83 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo | C Minor | 1 | 5A | 82 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco piu presto | Johannes Brahms, Julia Fischer, Yakov Kreizberg, Netherlands Philharmonic Orchestra | G Major | 2 | 9B | 89 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM |
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