"Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto" by Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell was released on January 1, 1997. Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Schubert: Piano Trios Nos. 1 & 2". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Trio No.2 in E flat, Op.100 D.929: 2. Andante con moto by Franz Schubert, Vladimir Ashkenazy, Pinchas Zukerman, Lynn Harrell having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liszt: 6 Grandes études de Paganini, S. 141: No. 3 La Campanella | Franz Liszt, François-René Duchâble | B Minor | 1 | 10A | 85 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 93 BPM | ||
Piano Concerto No.2 in C minor, Op.18: 1. Moderato | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | C Minor | 1 | 5A | 89 BPM | ||
12 Lieder von Franz Schubert, S. 558: No. 2, Auf dem Wasser zu singen | Franz Liszt, Murray Perahia | A♭ Major | 0 | 4B | 86 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Anatol Ugorski | D♭ Major | 0 | 3B | 65 BPM | ||
Chanson de nuit, Op. 15, No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Major | 3 | 2B | 133 BPM | ||
Piano Concerto No. 5 in E Flat, Op.73 'Emperor': II. Adagio un poco mosso | Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov | B Major | 0 | 1B | 132 BPM | ||
Suite en Sol: Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 97 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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