"Lohengrin, WWV 75: Prelude to Act 1" by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1987. Since Lohengrin, WWV 75: Prelude to Act 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Lohengrin by Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti. The song's track number on the album is #1 out of 38 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lohengrin, WWV 75: Prelude to Act 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75: Prelude to Act 1 by Richard Wagner, Wiener Philharmoniker, Sir Georg Solti has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lohengrin, WWV 75: Prelude to Act 1 being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Die Meistersinger von Nürnberg, Act 1: "Für dich Geliebte,se's getan!" (Beckmesser, Kothner, Walther) | Richard Wagner, Daniel Barenboim, Andreas Schmidt, Bayreuth Festival Orchestra, Hans-Joachim Ketelsen, Robert Holl | G Minor | 3 | 6A | 79 BPM | ||
Rigoletto / Act III: La donna è mobile | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | B Major | 1 | 1B | 168 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Symphony No. 3 in D, D.200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 85 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Karelia Suite, Op. 11: 2. Ballade (Tempo di menuetto) | Jean Sibelius, Helsinki Radio Symphony Orchestra, Okko Kamu | D♭ Major | 2 | 3B | 82 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: I. The Abduction of the Bride - Ingrid's Lament | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 98 BPM |
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