Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini's 'Rigoletto / Act III: La donna è mobile' came out on January 1, 1980. The duration of Rigoletto / Act III: La donna è mobile is about 3 minutes long, at 3:06. Based on our data, "Rigoletto / Act III: La donna è mobile" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Rigoletto by Giuseppe Verdi, Wiener Philharmoniker, Carlo Maria Giulini. The song's track number on the album is #12 out of 34 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of Rigoletto / Act III: La donna è mobile is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Rigoletto / Act III: La donna è mobile by Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Rigoletto / Act III: La donna è mobile being at 168 BPM, the half-time would be 84 BPM with a double-time of 336 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | ||
Bizet: Carmen: Avec la garde montate - Act One | Georges Bizet, Covent Garden Chorus, Richard van Allan, Thomas Allan, Plácido Domingo, Sir Georg Solti | F Major | 3 | 7B | 113 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Wilhelm Kempff | D♭ Minor | 0 | 12A | 146 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Rigoletto / Act I: Quel vecchio maledivami! | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Wiener Philharmoniker, Carlo Maria Giulini | F Major | 1 | 7B | 106 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM |
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