"Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo)" by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti was released on May 18, 2018. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, Philippe Jaroussky's "Gluck: Orfeo ed Euridice" album is number 29 out of 32. On top of that, United Kingdom appears to be the country where this track was created. Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che farò senza Euridice" (Orfeo) by Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marcello: Tirsi e Fileno, S. 475: "Veggio Fille ... Parlo a Clori" (Tirsi, Fileno) | Benedetto Marcello, Philippe Jaroussky, William Christie, Les Arts Florissants | E Major | 1 | 12B | 87 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM | ||
Polifemo: Nell' attendere mio bene (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Major | 4 | 11B | 128 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
Chelleri: Dio sul Sinai: "Caderà, perirà" (Dio) | Fortunato Chelleri, Philippe Jaroussky | A♭ Major | 3 | 4B | 91 BPM | ||
Orfeo ed Euridice (arr. N. Mercz): Ballet, 'Dance of the Blessed Spirits', from 'Orfeo ed Euridice' | Nora Mercz, Christoph Willibald Gluck, Janos Balint | F Major | 0 | 7B | 67 BPM | ||
Hasse: Orfeo: "Sempre a si vaghi rai" (Orfeo) | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 3 | 12B | 176 BPM | ||
Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
Monteverdi: L'Orfeo, SV 318, Act 2: "Possente spirto" (Orfeo) | Alessandro Striggio, Claudio Monteverdi, Philippe Jaroussky, Bérengère Sardin, Diego Fasolis, I Barocchisti | D♭ Minor | 1 | 12A | 68 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM |
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