- BPM
- 87
- Key
- E♭ Major
- Camelot
- 5B
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" - Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge Information
- Acousticness
- 98%
- Danceability
- 33%
- Energy
- 31%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 75%
- Speechiness
- 8%
- Valence
- 18%
- Popularity
- 17%
- Loudness
- -15.115 dB
Summary
"L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti"" by Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge was released on January 1, 1971. Since L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 30 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge. L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" BPM
The tempo marking of L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" by Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Major | 5 | 12B | 105 BPM | |
 | "Ecco ridente in cielo" from Il Barbiere di Siviglia | English Chamber Orchestra, Ramón Vargas, Marcello Viotti | C Major | 2 | 8B | 173 BPM | |
 | Ah, chi mi dice mai (Donna Elvira/Don Giovanni/Leporello) from Don Giovanni K527 - 1991 Remastered Version | Lorenzo Da Ponte, Wolfgang Amadeus Mozart, Heather Harper/Roger Soyer/Luigi Alva/Peter Lagger/Sir Geraint Evans/Antigone Sgourda/English Chamber Orchestra/Daniel Barenboim, Daniel Barenboim, English Chamber Orchestra | E♭ Major | 2 | 5B | 117 BPM | |
 | Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | |
 | Tosca / Act 1: "E buona la mia Tosca" - "Siam soli?" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 99 BPM | |
 | La Cenerentola / Act 1: "Zitto, zitto: piano, piano" | Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 1 | 11B | 78 BPM | |
| La Cenerentola / Act 1: "Ah! se velata ancor...Sprezzo quei don...Parlar, pensar" | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Alessandro Corbelli, Fernanda Costa, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B Minor | 3 | 10A | 70 BPM | |
 | La bohème / Act 2: "Quando m'en vo" | Giacomo Puccini, Elizabeth Harwood, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Gianni Maffeo, Michel Sénéchal, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 81 BPM | |
 | Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | |
 | Don Pasquale, Act III Terza Scena: Che interminabile andirivieni! (Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | A Major | 2 | 11B | 107 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8399467468261719
End: 0.8437013626098633