"La Cenerentola / Act 1: "Zitto, zitto: piano, piano"" by Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly was released on January 1, 1993. The duration of La Cenerentola / Act 1: "Zitto, zitto: piano, piano" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. La Cenerentola / Act 1: "Zitto, zitto: piano, piano"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola / Act 1: "Zitto, zitto: piano, piano" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola / Act 1: "Zitto, zitto: piano, piano" by Gioachino Rossini, William Matteuzzi, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Il Barbiere di Siviglia: Finora in questa camera - Ehi, di casa! | Gioachino Rossini, Cesare Sterbini, Hertha Glaz, Giuseppe Di Stefano, Salvatore Baccaloni, Lily Pons, Jerome Hines, Alberto Erede | F Major | 2 | 7B | 79 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Serenata | Pietro Mascagni, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Minor | 2 | 6A | 86 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Paolo Montarsolo, Luigi Roni, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | C Major | 4 | 8B | 95 BPM | ||
Così fan tutte, K. 588 / Act I: "Vorrei dir, e cor non ho" | Wolfgang Amadeus Mozart, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Minor | 1 | 4A | 136 BPM | ||
Turandot / Act 2: "Olà, Pang! Olà, Pong!" | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | G Minor | 3 | 6A | 109 BPM | ||
Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin | D♭ Minor | 2 | 12A | 121 BPM |
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