"Lucrezia Borgia - Act I - Com'è bello! Quale incanto" by Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario was released on May 24, 2013. Lucrezia Borgia - Act I - Com'è bello! Quale incanto is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Montserrat Caballé's "Montserrat Caballé - The Diva" album is number 9 out of 100. Lucrezia Borgia - Act I - Com'è bello! Quale incanto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lucrezia Borgia - Act I - Com'è bello! Quale incanto by Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Il barbiere di Siviglia / Act 1: No.6 Aria: "La calunnia è un venticello" | Gioachino Rossini, Nicolai Ghiaurov, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 81 BPM | ||
Norma / Act 2 Scene 1: "Mira, O Norma" | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | F Major | 2 | 7B | 74 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Chorus, Enrico) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | E♭ Major | 1 | 5B | 96 BPM | ||
Ave Maria | Pietro Mascagni, Montserrat Caballé, Miguel Ortega | F Major | 1 | 7B | 80 BPM | ||
Les Contes d'Hoffmann / Act 2: "Ils se sont éloignés, enfin!" | Jacques Offenbach, Plácido Domingo, Edita Gruberova, Orchestre National De France, Seiji Ozawa | G Minor | 0 | 6A | 74 BPM | ||
Pagliacci / Act 1: "Qual fiamma aveva nel guardo!" | Ruggero Leoncavallo, Mirella Freni, National Philharmonic Orchestra, Giuseppe Patanè | D Major | 1 | 10B | 172 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM |
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