"Norma / Act 2 Scene 1: "Mira, O Norma"" by Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini was released on January 1, 2013. With this song being about 5 minutes long, at 4:32, "Norma / Act 2 Scene 1: "Mira, O Norma"" by Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 38 in Bellini: Norma by Vincenzo Bellini, Cecilia Bartoli, John Osborn, Sumi Jo, Michele Pertusi, Orchestra La Scintilla, Giovanni Antonini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Norma / Act 2 Scene 1: "Mira, O Norma" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 2 Scene 1: "Mira, O Norma" by Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 94 BPM | ||
Carmen / Act 1: "Près des remparts de Séville" | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 83 BPM | ||
Durante : Concerto for 2 Violins & Viola in G minor : III Largo affettuoso | Francesco Durante, Il Giardino Armonico, Giovanni Antonini | A Major | 0 | 11B | 85 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 2 Scene 3: "Deh non volerli vittime" | Vincenzo Bellini, Cecilia Bartoli, John Osborn, Michele Pertusi, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B Major | 3 | 1B | 80 BPM |
Section: 1.1921641826629639
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