- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" - Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato Information
- Acousticness
- 98%
- Danceability
- 13%
- Energy
- 18%
- Instrumentalness
- 50%
- Liveness
- 9%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -18.041 dB
Summary
"Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure"" by Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato was released on January 1, 2008. Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Romantic Arias". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" BPM
With Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" by Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" Key
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | |
 | Peer Gynt Suite No. 2, Op. 55: 4. Solveig's Song | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 75 BPM | |
 | Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | |
 | La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | |
 | Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenuto | Ludwig van Beethoven, Paul Lewis | D♭ Minor | 0 | 12A | 171 BPM | |
 | String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet | E Major | 0 | 12B | 79 BPM | |
 | Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | |
 | Salut d'Amour, Op. 12 | Donald Sosin, Edward Elgar, Nora Shulman, Judy Loman | F Major | 1 | 7B | 79 BPM | |
 | Rusalka, Op. 114: Song to the Moon | Antonín Dvořák, Joshua Bell, Michael Stern | F♯ Major | 1 | 2B | 137 BPM | |
 | Nobody Knows the Trouble I've Seen | Die 12 Cellisten der Berliner Philharmoniker | D♭ Major | 1 | 3B | 91 BPM |
- ISRC
- GBBBA0742390
- Label
- L-M Records/RCA Records
Section: 0.7756948471069336
End: 0.7801547050476074