Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta's 'Turandot / Act 2: "Olà, Pang! Olà, Pong!"' came out on January 1, 1973. The duration of Turandot / Act 2: "Olà, Pang! Olà, Pong!" is about 3 minutes long, at 3:17. Based on our data, "Turandot / Act 2: "Olà, Pang! Olà, Pong!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Puccini: Turandot (Highlights)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Turandot / Act 2: "Olà, Pang! Olà, Pong!" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Turandot / Act 2: "Olà, Pang! Olà, Pong!" by Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor: Tombe degli avi miei - Fra poco a me ricovero | Gaetano Donizetti, Michael Fabiano, London Philharmonic Orchestra, Enrique Mazzola | B♭ Major | 2 | 6B | 169 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Bizet: Carmen, WD 31, Act 2: "Non ! Je ne veux plus t'écouter !" (Don José, Carmen) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Roberto Alagna, Orchestre National Du Capitole De Toulouse | G Minor | 3 | 6A | 164 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | E♭ Major | 3 | 5B | 89 BPM | ||
Carmen (1997 - Remaster), Act I: Reste là, maintenant, pendant que je lirai | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Turandot / Act 2: Gloria, gloria, o vincitore | Giacomo Puccini, Dame Joan Sutherland, Sir Peter Pears, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Major | 3 | 8B | 108 BPM | ||
Puccini: Turandot, Act 1: "Popolo di Pekino!" (Mandarin, Crowd, Liù) | Giacomo Puccini, Elisabeth Schwarzkopf, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM |
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