Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin's 'Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)' came out on 2004. The duration of Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: Le nozze di Figaro" album is number 10 out of 62. On top of that, France appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro, K. 492, Atto I Scena 4: No. 5, Duettino "Via, resti servita" (Marcellina, Susanna) by Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln, Patrizia Ciofi, Marie McLaughlin to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | F Major | 0 | 7B | 118 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Requiem In D Minor, K.626: 4. Offertorium: Domine Jesu | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | C Minor | 3 | 5A | 86 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act I: Zu Hilfe! Zu Hilfe! (Tamino, Damen) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | G Major | 1 | 9B | 76 BPM | ||
Così fan tutte / Act 1: "Soave sia il vento" - "Non son cattivo" - "Che vita maledetta" - "Madame, ecco la vostra colazione" | Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 1 | 12B | 85 BPM | ||
Requiem in D Minor, K. 626: 3. Sequentia: Tuba mirum - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 86 BPM |
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