"Vissi D'arte - Tosca Atto Ii" by Renata Tebaldi was released on March 3, 1950. The duration of Vissi D'arte - Tosca Atto Ii is about 3 minutes long, at 3:26. Based on our data, "Vissi D'arte - Tosca Atto Ii" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Renata Tebaldi's "L'incredibile Renata Tebaldi" album is number 8 out of 28. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Vissi D'arte - Tosca Atto Ii is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vissi D'arte - Tosca Atto Ii by Renata Tebaldi to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: No.5 Cavatina: "Una voce poco fa" - "Io sono docile" | Gioachino Rossini, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 1 | 12B | 129 BPM | ||
Ebben? Ne andro lontano | Alfredo Catalani, Eva Marton, Pinchas Steinberg | E Minor | 1 | 9A | 86 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Carlo Bergonzi, Dame Joan Sutherland, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | B♭ Major | 2 | 6B | 138 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Adriana Lecouvreur / Act 1: "Del sultano Amuratte..." - Io son l'umile ancella | Francesco Cilea, Renata Tebaldi, Silvio Maionica, Franco Ricciardi, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | A♭ Major | 2 | 4B | 167 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM |
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