"Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda" by Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 2008. Since Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Puccini: Opera Arias". In this album, this song's track order is #11. Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda by Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Favorita / Act 4: Spirto gentil, de' sogni miei | Gaetano Donizetti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | C Major | 2 | 8B | 66 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Pagliacci / Act I: "Qual fiamma avea nel guardo! ... Stridono lassù" | Ruggero Leoncavallo, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A Major | 1 | 11B | 78 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Cavalleria rusticana: "Turridu mi tolse l'onore" | Pietro Mascagni, Elena Nicolai, Aldo Protti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Ghione | D Minor | 4 | 7A | 88 BPM | ||
Norma: Act II Scene 1: Si, fino all'ore estreme (Adalgisa, Norma) | Vincenzo Bellini, Ebe Stignani, Maria Callas, Orchestra Sinfonica Nazionale della RAI di Roma, Tullio Serafin | E♭ Major | 3 | 5B | 115 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | F Major | 3 | 7B | 82 BPM | ||
Andrea Chénier / Act 1: "Colpito qui m'avete … Un dì all’azzurro spazio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Minor | 3 | 5A | 86 BPM | ||
Cavalleria rusticana: "Dite, mamma Lucia" | Pietro Mascagni, Elena Nicolai, Anna Maria Anelli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Ghione | E Minor | 1 | 9A | 137 BPM |
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