"Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat"" by Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1998. With this song being about 5 minutes long, at 4:36, "Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat"" by Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Renée Fleming - The Beautiful Voice". In this album, this song's track order is #11. Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" by Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, K.492 (1997 - Remaster): Porgi, amor | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 79 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Agrippina, HWV 6: Bel Piacere | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | F♯ Major | 2 | 2B | 115 BPM | ||
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437 | Strauss Festival Orchestra, Johann Strauss II | C Major | 0 | 8B | 181 BPM | ||
Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej | Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | D♭ Major | 1 | 3B | 62 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 1: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Mady Mesple, Jean-Pierre Marty, Orchestre du Théâtre National de l'Opéra de Paris | A♭ Major | 1 | 4B | 82 BPM | ||
"Oh, quand je dors" S 282 | Franz Liszt, Barbara Bonney, Antonio Pappano | E Major | 1 | 12B | 65 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Las Hijas del Zebedeo | Theresa Berganza, English Chamber Orchestra | A Minor | 2 | 8A | 91 BPM | ||
L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM |
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