George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket made "Agrippina, HWV 6: Bel Piacere" available on January 1, 2004. With Agrippina, HWV 6: Bel Piacere being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #15. In terms of popularity, Agrippina, HWV 6: Bel Piacere is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Agrippina, HWV 6: Bel Piacere by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "Then shall the righteous shine" | Felix Mendelssohn, John Mark Ainsley, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 92 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Du bist die Ruh, D. 776 | Franz Schubert, Renée Fleming, Christoph Eschenbach | E♭ Major | 0 | 5B | 170 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Samson HWV 57 / Act 3: Let the bright seraphim | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | D♭ Major | 3 | 3B | 116 BPM | ||
Rinaldo / Act 1: Recitativo: Adorato mio sposo | George Frideric Handel, Cecilia Bartoli, David Daniels, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 107 BPM |
Section: 0.6490919589996338
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