"Du bist die Ruh, D. 776" by Franz Schubert, Renée Fleming, Christoph Eschenbach was released on January 1, 1997. With this song being about 5 minutes long, at 5:23, "Du bist die Ruh, D. 776" by Franz Schubert, Renée Fleming, Christoph Eschenbach is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Schubert: Lieder - Ave Maria; Die Forelle; Heidenröslein; Gretchen am Spinnrade; Der Tod und das Mädchen". In this album, this song's track order is #11. The popularity of Du bist die Ruh, D. 776 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Du bist die Ruh, D. 776 by Franz Schubert, Renée Fleming, Christoph Eschenbach having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Im Frühling, D. 882 | Franz Schubert, Renée Fleming, Christoph Eschenbach | G Major | 0 | 9B | 92 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Nur Komponieren im Kopf | Franz Schubert, Will Quadflieg, Cord Garben, Berliner Philharmoniker, Karl Böhm | B Minor | 2 | 10A | 121 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第20曲 小川の子守歌 | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | E Major | 1 | 12B | 69 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第15曲 嫉妬と誇り | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Minor | 2 | 6A | 124 BPM |
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