"Chanson triste (version for voice and piano)" by Henri Duparc, Paul Groves, Roger Vignoles was released on September 6, 2004. The duration of Chanson triste (version for voice and piano) is about 3 minutes long, at 3:25. Based on our data, "Chanson triste (version for voice and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 15 in Duparc: Songs by Henri Duparc. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Chanson triste (version for voice and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chanson triste (version for voice and piano) by Henri Duparc, Paul Groves, Roger Vignoles is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern | Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 71 BPM | ||
Fauré: En Prière | Gabriel Fauré, Kathleen Battle, James Levine | F Major | 0 | 7B | 85 BPM | ||
The Apostles, Op. 49, Pt.2: IVa. The Betrayal | Sir Edward Elgar, Paul Groves, David Kempster, Brindley Sherratt, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 70 BPM | ||
Fauré: 3 Mélodies, Op. 6: No. 3, Sylvie | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Violin Sonata in A Major, CFF 123, FWV 8: I. Allegretto ben moderato (Trans. For Viola) | César Franck, Nobuko Imai, Roger Vignoles | F Major | 0 | 7B | 130 BPM | ||
Mahler: Symphony No. 2, "Resurrection": IV. Urlicht, "Der Mensch liegt in grösster Not" (Alto). Sehr feierlich, aber schlicht | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | D♭ Major | 0 | 3B | 137 BPM | ||
La maja y el ruiseñor | Enrique Granados, Kiri Te Kanawa, Roger Vignoles | F♯ Major | 1 | 2B | 77 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM |
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