"Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej" by Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej appears to be safe for all ages as it is not explicit. The song is number 8 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 3: Líbej mne, líbej, mír mi prej by Antonín Dvořák, Ben Heppner, Renée Fleming, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il Barbiere di Siviglia, Act 1: "Una voce poco fà" (Rosina) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri, John Constable | F Major | 2 | 7B | 133 BPM | ||
Tosca / Act I: "Ah! Finalmente!" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 134 BPM | ||
Madama Butterfly / Act 1: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Herbert von Karajan, Wiener Philharmoniker, Vienna State Opera Chorus, Michel Sénéchal, Mirella Freni, Robert Kerns, Luciano Pavarotti | B♭ Minor | 1 | 3A | 86 BPM | ||
Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) | Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 66 BPM | ||
Elijah, Op. 70, MWV A25 / Part 2: "And then shall your light break forth" | Felix Mendelssohn, Renée Fleming, Patricia Bardon, John Mark Ainsley, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | B♭ Minor | 0 | 3A | 79 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 2 | 4B | 98 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
La Bohème / Act 3: "Donde lieta uscì" | Giacomo Puccini, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 119 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM |
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