"Tosca / Act I: "Ah! Finalmente!"" by Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1980. With this song being about 5 minutes long, at 5:23, "Tosca / Act I: "Ah! Finalmente!"" by Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 31 in the song's album "Puccini: Tosca". In this album, this song's track order is #1. Based on our statistics, Tosca / Act I: "Ah! Finalmente!"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tosca / Act I: "Ah! Finalmente!" by Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, K. 626: 1. Introitus: Requiem - Live | Wolfgang Amadeus Mozart, Karita Mattila, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | G Minor | 2 | 6A | 95 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo | Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 92 BPM | ||
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Puccini: Madama Butterfly, Act 1: "E soffitto...e pareti" (Pinkerton, Goro) | Giacomo Puccini, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | E♭ Major | 3 | 5B | 111 BPM | ||
Götterdämmerung, WWV 86D / Prologue: Einleitung zum Vorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 80 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: Lacrimosa | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 78 BPM | ||
Rückert Lieder: IV. Um Mitternacht | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | A Minor | 1 | 8A | 72 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Berliner Philharmoniker, Wilhelm Furtwängler | E Major | 3 | 12B | 88 BPM | ||
La Bohème / Act 4: "Che ha detto il medico?" - Live | Giacomo Puccini, Nicole Cabell, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | A Major | 0 | 11B | 78 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | D Minor | 0 | 7A | 121 BPM |
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