"Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo" by Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle was released on June 9, 1986. The duration of Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Bruno Walter, Sir Simon Rattle, Berliner Philharmoniker's "Mussorgsky/Ravel: Pictures at an Exhibition ("Masterworks")" album is number 7 out of 15. In terms of popularity, Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mussorgsky: Pictures at an Exhibition: No. 7, Bydlo by Modest Mussorgsky, Berliner Philharmoniker, Sir Simon Rattle to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Scherzo No. 1 in B Minor, Op. 20: Scherzo No.1 in B Minor, Op. 20 | Frédéric Chopin, Ivo Pogorelich | B Minor | 1 | 10A | 126 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM |
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