"Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto)" by Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli was released on 1965. The duration of Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 9 in Elgar: Cello Concerto by Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, Dame Janet Baker, London Symphony Orchestra. Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Sea Pictures, Op. 37: II. In Haven "Capri", "Closely let me hold thy hand" (Allegretto) by Edward Elgar, Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
They are at rest | Edward Elgar, Choir of Clare College, Cambridge, Graham Ross | B Minor | 0 | 10A | 84 BPM | ||
Jeux d'enfants, Op. 22: I. March | Georges Bizet, Barry Wordsworth, London Symphony Orchestra | C Major | 1 | 8B | 132 BPM | ||
Magnificat: Et misericordia | Giovanni Battista Pergolesi, Elizabeth Vaughan, Dame Janet Baker, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks | G Minor | 1 | 6A | 116 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Romance: Andante | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 73 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | ||
Luna: 2. Llévame Niño Pal Cura | José María Cano, Ainhoa Arteta, London Symphony Orchestra | B♭ Minor | 1 | 3A | 91 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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