"They are at rest" by Edward Elgar, Choir of Clare College, Cambridge, Graham Ross was released on October 21, 2016. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Remembrance (Bonus Track Version)". In this album, this song's track order is #8. They are at rest is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With They are at rest by Edward Elgar, Choir of Clare College, Cambridge, Graham Ross having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi | Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D♭ Major | 0 | 3B | 76 BPM | ||
All-night Vigil, Op. 37, "Vespers": Glorifying song of the Resurrection: Teach me O lord in the way of truth | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Minor | 0 | 6A | 74 BPM | ||
Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Coronation March, Op. 65 | Edward Elgar, Bournemouth Symphony Orchestra, George Hurst | C Minor | 2 | 5A | 107 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Mass for 3 Voices: IV. Sanctus | William Byrd, Pro Arte Singers, Paul Hillier | B Minor | 0 | 10A | 83 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | G Major | 0 | 9B | 77 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM |
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