Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed's '6 Chansons: No. 6. Verger' came out on March 26, 2013. With 6 Chansons: No. 6. Verger being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed's "Hindemith: Messe - Apparebit repentina dies" album is number 10 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 6 Chansons: No. 6. Verger's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Chansons: No. 6. Verger by Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nonsense: No. 1. C'era una signorina | Goffredo Petrassi, SWR Vokalensemble Stuttgart, Marcus Creed | D Minor | 0 | 7A | 123 BPM | ||
Das Mädchen mit den Schwefelhölzern / Teil 1: Auf der Strasse: Scherzo II ("Schnalz-Arie" - "Stille Nacht") | Helmut Lachenmann, Sylvain Cambreling, SWR Vokalensemble Stuttgart, SWR Symphony Orchestra | A♭ Major | 1 | 4B | 108 BPM | ||
Bachianas brasileiras No. 9: II. Fugue: Poco apressado | Heitor Villa-Lobos, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 1 | 5A | 92 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
3 Stücke, Op. 8: I. Capriccio - Lebhaft | Paul Hindemith, Umberto Aleandri, Filippo Farinelli | A Major | 1 | 11B | 131 BPM | ||
3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men | Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed | F Major | 0 | 7B | 92 BPM | ||
Five Songs, Op. 104: III. Letztes Glück | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
As Costureiras | Heitor Villa-Lobos, SWR Vokalensemble Stuttgart, Marcus Creed | E♭ Major | 2 | 5B | 135 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |
Section: 0.659233808517456
End: 0.6624960899353027