- BPM
- 84
- Key
- F♯ Major
- Camelot
- 2B
Mother of God Here I Stand - John Taverner, Nottingham Cathedral Choir, Alex Patterson Information
- Acousticness
- 99%
- Danceability
- 8%
- Energy
- 1%
- Instrumentalness
- 63%
- Liveness
- 11%
- Loudness
- 31%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 9%
- Loudness
- -41.294 dB
Summary
"Mother of God Here I Stand" by John Taverner, Nottingham Cathedral Choir, Alex Patterson was released on February 16, 2018. The duration of Mother of God Here I Stand is about 3 minutes long, at 3:10. Based on our data, "Mother of God Here I Stand" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nottingham Cathedral Choir, Alex Patterson's "Mother of God, Here I Stand" album is number 14 out of 22. Mother of God Here I Stand is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mother of God Here I Stand BPM
We consider the tempo marking of Mother of God Here I Stand by John Taverner, Nottingham Cathedral Choir, Alex Patterson to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Mother of God Here I Stand Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ave verum corpus | William Byrd, Voices of Ascension Chorus, Dennis Keene | G Minor | 1 | 6A | 63 BPM | |
 | When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | |
 | All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | |
 | All Shall be Well | Roxanna Panufnik, Exultate Singers, Richard May, David Ogden | F Major | 1 | 7B | 69 BPM | |
 | Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | |
 | Dum transisset Sabbatum | John Taverner, Singers of St. Laurence, Neil McEwan | G Major | 1 | 9B | 77 BPM | |
 | Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | |
 | A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | |
 | Dum Transisset Sabbatum I | John Taverner, Christ Church Cathedral Choir, Stephen Darlington | E♭ Major | 1 | 5B | 130 BPM | |
 | Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.547898530960083
End: 0.5513877868652344