Paul Hindemith, Umberto Aleandri, Filippo Farinelli made "3 Stücke, Op. 8: I. Capriccio - Lebhaft" available on March 27, 2024. The duration of 3 Stücke, Op. 8: I. Capriccio - Lebhaft is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 3 Stücke, Op. 8: I. Capriccio - Lebhaft's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paul Hindemith, Umberto Aleandri, Filippo Farinelli's "Hindemith: Complete Music for Cello and Piano" album is number 18 out of 20. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, 3 Stücke, Op. 8: I. Capriccio - Lebhaft's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 3 Stücke, Op. 8: I. Capriccio - Lebhaft by Paul Hindemith, Umberto Aleandri, Filippo Farinelli to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
12 Variations on Handel's "See the Conqu'ring Hero Comes", WoO 45 (Arr. A.N. Tarkmann for Octet): Var. 4, — | Ludwig van Beethoven, Ludwig Chamber Players | E♭ Major | 0 | 5B | 99 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 3. Scherzo (Allegro vivace) | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 78 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM | ||
Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | G Major | 1 | 9B | 67 BPM |
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