"Marchenbilder (Fairy Tales), Op. 113: III. Rasch" by Robert Schumann, Tabea Zimmermann, Hartmut Höll was released on January 1, 2004. The duration of Marchenbilder (Fairy Tales), Op. 113: III. Rasch is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Marchenbilder (Fairy Tales), Op. 113: III. Rasch's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Schumann, R.: Adagio and Allegro / Fantasiestucke / 3 Romanzen / Violin Sonata No. 1 / Marchenbilder". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Marchenbilder (Fairy Tales), Op. 113: III. Rasch is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Marchenbilder (Fairy Tales), Op. 113: III. Rasch by Robert Schumann, Tabea Zimmermann, Hartmut Höll having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes & Fugues, Op. 87: Fugue no.2 in A minor. Allegretto (3-voice) | Dmitri Shostakovich, Alexander Melnikov | D Minor | 3 | 7A | 123 BPM | ||
Lyrical Pieces, Op. 12: No. 1, Arietta | Edvard Grieg, Denis Kozhukhin | E♭ Major | 0 | 5B | 76 BPM | ||
Cypresses B.152: 2. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Minor | 1 | 4A | 89 BPM | ||
Romance in E-Flat Major, Op. 4 (Arr. Zimmermann for Viola & Piano) | Fritz Kreisler, Tabea Zimmermann, Thomas Hoppe | G Major | 0 | 9B | 96 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20: II. Andante | Felix Mendelssohn, Emerson String Quartet | F Major | 2 | 7B | 116 BPM | ||
Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto | Felix Mendelssohn, Artemis Quartet | F Major | 0 | 7B | 90 BPM | ||
Piano Quintet in G Minor, Op. 57: IV. Intermezzo | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | D Minor | 1 | 7A | 129 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Kreisleriana, Op.16: 7. Sehr rasch | Robert Schumann, Martha Argerich | C Minor | 2 | 5A | 84 BPM | ||
Borodin - String Quartet No.2 in D major: Scherzo: Allegro | Alexander Borodin, Borodin Quartet | C Major | 2 | 8B | 121 BPM |
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