Felix Mendelssohn, Emerson String Quartet's 'Octet in E Flat Major, Op. 20, MWV R20: II. Andante' came out on January 1, 2005. Since Octet in E Flat Major, Op. 20, MWV R20: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Emerson String Quartet's "Mendelssohn: The String Quartets & Octet In Two Parts" album is number 34 out of 38. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Octet in E Flat Major, Op. 20, MWV R20: II. Andante is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Octet in E Flat Major, Op. 20, MWV R20: II. Andante by Felix Mendelssohn, Emerson String Quartet to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruy Blas, Op. 95: Overture | Felix Mendelssohn, Walter Weller, Royal Scottish Orchestra | C Minor | 2 | 5A | 134 BPM | ||
String Quartet No. 2 in D Minor, JB 1:124: III. Allegro non piú moderato, ma agitato e con fuoco | Bedřich Smetana, Pavel Haas Quartet | C Major | 2 | 8B | 88 BPM | ||
Souvenir d'un lieu cher, Op.42: 2. Scherzo | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | C Minor | 2 | 5A | 97 BPM | ||
Violin Concerto: Fly Forward | Jennifer Higdon, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Minor | 3 | 8A | 139 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
String Quartet In G Major, Hob. III:57, Op.54 No.1: 1. Allegro con brio | Joseph Haydn, Emerson String Quartet | G Major | 1 | 9B | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 69 BPM |
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